notes.

A blog from the Sound and Music Team

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25 June 2014

Portfolio partners The Bohman Brothers and Richard Thomas

Sound and Music and The Bohman Brothers with Richard Thomas offer a unique opportunity for up to three composers to spend time working closely with the group, developing their writing, improvisational and collaborative skills in co-conceiving material for a premiere performance in spring 2015. The development process will be structured around an initial meeting followed […]

Portfolio partner Joby Burgess

As part of our 2014-15 Portfolio programme, Sound and Music and percussionist Joby Burgess offer a rare opportunity for up to five emerging composers to develop their skills in writing for solo percussion focussing on the vibraphone and the little known Canna Sonora – both of which are manufactured, and derive their sonic properties, from […]

An open letter in response to Michael Church’s review of the UK premiere of Italian composer Luca Francesconi’s opera Quartetto (on at the Royal Opera House until 28 June).

Expert, intelligent discussion about art may not have the mass appeal of, say, football, but, if we believe that art is an important part of a civilised society, then it should be an integral part of public discourse. However, Michael Church’s one-star review published in the Independent on 20 June shows neither expertise nor intelligence. […]

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24 June 2014

Sound and Music’s New Music Stage

Judith Robinson is a Creative Project Leader at Sound and Music and is responsible for a number of education projects including the Summer School. When asked what aspect of musical activity young people value the most, the majority say that opportunities to be creative are very important to them, whilst the most urgent area of […]

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18 June 2014

Why I Love Per Nørgård’s Music

On a ledge in my hallway at home is a knobbly flint, decorated by a splodge of white paint and a ribbon threaded through a hole in the stone, to which is attached a luggage label inscribed with the following message: “To Susanna! With love & good wishes from Per, the tired sheep & Langeland’s […]

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3 June 2014

Richard Whitelaw on Talent Development at Sound and Music

What Are We All Doing? Where Are We All Going? If you are reading this then hopefully you know that talent development is central to Sound and Music’s work. We spend a lot of our time creating new opportunities and we devote a lot of attention to supporting the professional development of artists. We believe […]

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28 May 2014

Richard Whitelaw on Kuwaitscapes: part 2

5.30am alarm this morning to get to a television studio to be on a popular breakfast TV show called Sabah al Watan. No danger of a hangover in Kuwait and I felt fine after a swift Bounty and a cup of coffee in the studio cafe. The studio is deserted when we get there but […]

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22 May 2014

Richard Whitelaw on Kuwaitscapes

This week I’m in Kuwait City, tirelessly working for British music, as part of a project called Kuwaitscapes that Sound and Music are presenting here in collaboration with The British Council. The lead artist in this project is Roshi Nasehi and if you click on the link above you can find out more about Roshi. […]

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1 July 2013

Richard Whitelaw discusses the Clore Leadership course and the five levels of listening

Earlier this month I took a two-week break from the heated atmosphere of the Sound and Music office to attend a Clore Leadership Programme Short Course. This fortnight of reflection relocated me to the Linden Hall Golf and Country Club in Northumberland. Staying at Linden Hall’s like being transported into a game of Cluedo where the […]

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3 June 2013

The Language of New Music

At Sound and Music, we use the word “composer” freely to mean “creator of original new music or sound”. We do this because we work across the full range of new music and the people who create it, including the increasing number who may defy ready categorisation. (Incidentally, our definition of “new music” is similarly […]

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8 November 2012

Spotlight: Susanna Eastburn on Richard Ayres

I first heard Richard Ayres’ music in the 1999 Huddersfield Contemporary Music Festival (two years before I took over the directorship from Richard Steinitz) in a beautiful programme by Apartment House of works by Richard Rijnvos (another important first encounter for me), Christopher Fox, and Richard. On the programme was Richard’s piece no.24 (NONcerto for […]